
Songs are often inspired by daily life and their music instruments range from rustic resonators to thunderous kettledrums. Rajastani instruments are facinating devices often handicrafted by the musicians themselves. They include morchang, a hand-held trumpet, the sarangi (a popular bowed instrument), the kamayacha (a 16-stringed langa speciality that is played with a long bow of horse tail hair), the kharta (a metal castanet) is a favorite with saints and seers, the algoza of th Ajmer region is the South Asian equivalent of a bagpipe.
Where there is song there is dance and the Rajastanis are never backward in shuffling forward. The ghooma gait - a series of gentle, graceful pirouettes; the teerah taali of the kamad community in Pokaran, a boisterous dance in honour of the theft deity Baba Ramdeo. It's an unusual festival in which men play a four stringed instrument called the chau-tara while the women move with dozens of manjeeras (tiny cymbals) tied to their bodies.

In Shekawati the kacchi ghodi is skillfully performed on horses. Holding swords aloft, riders move to the beating of the drums, while a singer narrates the exploits of notorious bandits.
In Bikaner, Jasnathis, revered for their tantric powers, dance on flaming coals until the music peaks and the dancers fall into a trance.
The drum dance of Jalore sees five men with huge drums strapped around their necks accompany a sword-swallower who simultaneously juggles.
Concerts and dances are held regularly for tourists in all major cities, usually in upmarket hotels.
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